🛡 ( site de porcentagem de caça níqueis ) - 🛡 A artista e autora Faith Ringgold, conhecida 🛡 por seus tapetes narrativos que entrelaçavam arte com ativismo, morreu aos 93 anos. O falecimento de Ringgold, site de porcentagem de caça níqueissite de porcentagem de caça níqueiscasa 🛡 site de porcentagem de caça níqueis Nova Jersey no sábado, foi relatado primeiramente pelo New York Times.

🛡 "Faith deixa um legado impactante de ativismo e advocacia 🛡 pela diversidade e inclusão que marcou profundamente o mundo da arte, inspirando incontáveis outras pessoas a usaremsite de porcentagem de caça níqueisvoz como 🛡 ferramenta de mudança social", disse Dorian Bergen, Presidente das ACA Galleries, que representavam Ringgold há quase três décadas, site de porcentagem de caça níqueis um 🛡 comunicado fornecido à site de porcentagem de caça níqueis . "Sentiremos muitosite de porcentagem de caça níqueisfalta e continuaremos nos comprometendo a continuar essa legacy compartilhando seu 🛡 trabalho, filosofias e vida com o mundo."

🛡 Ringgold, nascida site de porcentagem de caça níqueis 1930 site de porcentagem de caça níqueis Harlem durante o Renascimento de Harlem, draws inspiration from 🛡 the tumultuous social realities she lived through. As a student, her formal initiation in the arts was almost curtailed by 🛡 the City College of New York's regulations of the time, which restricted women to specific majors - art not being 🛡 one of them. However, Ringgold's determination led her to strike a deal with a school administrator: her art studies were 🛡 contingent upon primarily enrolling in the school of education, where women were allowed. 🛡

After earning her bachelor's degree in fine art 🛡 and education in 1955, Ringgold began teaching art in public schools while developing her own art. She later received a 🛡 master's degree in art from City College in 1959. Her early work was influenced by civil and racial unrest, and 🛡 had powerful political and social tones.

Série "The American People"

🛡 Entre 1963 e 1967, Ringgold portrayed fraught race relations in America in 🛡 a series of paintings titled "The American People Series." The series' final painting, "American People Series 20: Die," is a 🛡 vivid critique of the violent riots of the Civil Rights era. The painting, arguably the series' most famous, gruesomely depicts 🛡 a group of men, women and children brutally attacking one another. It is now part of the Museum of Modern 🛡 Art's permanent collection.

🛡 "I became fascinated with the ability of art to document the time, place, and cultural identity of the 🛡 artist," she told the Museum of Modern Art. "How could I, as an African American woman artist, document what was 🛡 happening around me?"

🛡 Ringgold's early work did not enjoy much success at the time, driving the mother of two to take 🛡 her activism to the streets for causes such as women's representation - especially of Black women - in mainstream art 🛡 exhibitions and collections. In 1970, Ringgold was arrested and charged with desecrating the American flag for co-organizing the "People's Flag 🛡 Show," an exhibition protesting against the Vietnam War, and for artists' First Amendment right to use the flag as material. 🛡

"They 🛡 didn't keep me in for long because the media was watching," she told the New York Times of her sentencing. 🛡

Quilts de Ringgold

🛡 Around the same time, Ringgold began incorporating new materials into her art. She experimented with sculpting in wood and 🛡 clay, but the dust triggered her asthma eased her to shift ...